Friday, December 16, 2011

Kutchi Handicraft

Embroidery
Each community expresses its cultural identity through their traditional embroidery which is an integral part of their costumes. Embroidery is a family tradition wherein every young girl imbibes the skill from her mother. It is associated with festivities, weddings and dowries. They paint,with their needles, tradional motifs which have been imbibed by the communities over a period of centuries.

Leather Craft 
Leather Craft The leather artisans primarily belonging to the Marwada Meghwal community in kutch originally came from Marwar in Rajasthan. The meghwal women are skilled embroiderers. Today leather products from kutch combine the skills of leather and embroidery

Sunday, October 23, 2011

Saree border Design



Sequin Work Embroidery

Sequin Embroidery are disk shaped beads used for decorative purposes and are available in a wide variety of colors and geometrical shapes. It is a kind of an embroidery work done in apparel and other handicrafts to look attractive and rich. Sequin embroidery designs may be stitched flat to the fabric, so that they do not move, and are less likely to fall off; or they may be stitched at only one point, so that they dangle and move easily, to catch more light. We offer a spectrum of brilliant sequinwork to our customers as per their choice.

Sequin Embroidery are disk shaped beads or discs used for decorative purposes. They are available in a wide variety of colors and geometric shapes. They are commonly used on clothing, jewelry, bags and other accessories. Although coins are still used as sequins in some cultures, modern sequins tend to be made of plastic. They may also be referred to as spangles, paillettes or diamantes. They may be stitched flat to the fabric so that they do not move and are less likely to fall off. Or they may be stitched at only one point, so that they dangle and move easily to catch more light. Some sequins are made with facets to increase their reflective ability. Sequins got their name from the Arabic Sikka meaning a coin or disc. The custom of stitching sequins and similar coins to women’s clothing, particularly headdresses, face veils and over the bosom and hips, originally arose as a way to display the family’s wealth. It was this ancient wisdom that led to the use of sequined fabric and trims in moderns fashion, and expanded the definition of sequin beyond coins to include this particular type of decoration.

Thread Work Embroidery

Thread embroidery is the embellishment of wide range of materials achieved with a variety of types of thread, for example; cotton, silk, wool, gold and silver wires. The work can be made on a frame or in the hand, the choice depends on several factors. There are many kinds of stitches involved.

There are two kinds of threadwork embroidery, surface embroidery and counted thread embroidery. In surface embroidery, the pattern is worked using decorative stitches and laid threads on top of the foundation fabric rather than through the fabric. In counted thread embroidery, the fabric threads are counted by the embroiderer’s before inserting the needle into the fabric. Usually, an even weave fabric is used for this kind of embroidery. The various kinds of embroidery in thread are Kantha, Kashida, kasuti, Gara, Phulkari and Kutch work. All kind of stitches are used here like chain, satin, open chain stitch, long and short, French, interlacing, herringbone, running, stem and back stitch etc.


 

Zardozi Embroidery

Zardozi embroidery is imperial metal embroidery. It is done after stretching the fabric on a wooden frame and individually the zardozi element is incorporated into the pattern by being picked up by a needle, which is then pushed into the fabric. Zardozi is rich embroidery, which is intricately woven in golden and silver. It can also be studded with pearls and precious stones to enhance the exquisiteness of rich and glowing fabrics like silk, velvet and brocade. We also welcome ideas and drawings from clients to deliver them with customized designs.

Zardozi embroidery is beautiful metal embroidery which once used to embellish the attire of the Kings and royals in India. Zardozi has been in existence in India form the time of Rig Veda . There are numerous instances mentioning the use of Zari embroidery as ornamentation on the attire of Gods. It was done with pure silver wires and gold leaves in olden days. The word Zardozi comes from Persia where Zar means gold and Dozi means embroidery. The embroidery is done on a wooden frame on which the fabric is stretched and the design is traced first. The elements used in embroidery are salma ( gold wire), sitaras ( metal stars), sequins, Glass beads ,dabka ( springed gold wire) and kasab ( wire ).The needle is used to pull out each zardozi element and then, it is integrated into the basic design by pushing the needle into the fabric. The fabrics used are silk, satin, velvet etc.




Saturday, August 6, 2011

Glass Painting

જરૂરીયાતો:

                                          * પારદર્શક કાચ
                                          * એએફબીને કાચ રંગ
                                          * paintbrush
                                          * રૂપરેખા માટે બ્લેક 3 ડી ટ્યુબ રંગ
                                          * ફોઇલ પેપર અથવા ખાલી પેપર
                                           * ફ્રેમ

                
                       પદ્ધતિ:

      * ગ્લાસ પેઇન્ટિંગ અથવા સ્ટેઇન્ડ ગ્લાસ પેઇન્ટિંગ, કારણ કે તેઓ ક્યારેક ઓળખાય છે, એક ગ્લાસ પાછળ નીચે નાખ્યો છાપ સમાવેશ થાય છે.
    
      * પછી ડિઝાઇન કાચના ખાસ રંગો પાછી દર્શાવેલ છે લાગુ પડે છે.
   
      * રંગો મોટેભાગે પાણીના અથવા આધારિત છે અને તે રીતે વોટર કલર્સ લાગુ પડે છે જેવી જ પદ્ધતિ લાગુ ગમ છે.
   
      * paints સામાન્ય રીતે એક kiln મદદથી કાચ પર દહન થાય છે. kiln ઓફ ગરમી ખાતરી કરે છે કે તેઓ કાયમી કાચ સાથે બોન્ડેડ છે.
  
  *  પ્રકાશ અસર - ગ્લાસ માધ્યમ કોઈ અન્ય માધ્યમો કરી શકો છો કે કંઈક સાથે ચિત્રકાર પૂરી પાડે છે.

Needle Work

BRICK STITCH:
Work a row of straight stitches, leaving the width of a stitch between every adjoining stitch. Make a second row of stitches in the same manner but interlock them with the first row of stitches. If you turn your work on its side, you will see how the stitches look like a brick surface.

FRENCH KNOT:
This stitch is used for dots. Bring needle up, wrap thread around point of needle, then insert needle close to where needle emerged. Just be sure that it is not in the exact spot where thread emerged or knot will pull through. Draw thread to wrong side, holding knot in place with left thumb.
STAR FILLING STITCH:
First work a cross stitch with the arms on the straight. Then work a second cross stitch over the first, making the second in the usual way. Next work a small cross stitch over the first two, tying them down.
OVERCAST STITCH:
First make a row of holbein stitch along guide line. Next make tiny close stitches over holbein stitches, picking up as little fabric as possible.
 
TRELLIS STITCH:
First work long vertical stitches across the given area. make sure they are evenly spaced. Then work long horizontal stitches over the first stitches. Tie stitches in place at each intersection with a half cross stitch or a full cross stitch. For an even more decorative effect  try making a french knot or star filling stitch in the center of each square





Soft Toys

Requirements:
  • Fur cloth
  • Fibre Cotton
  • Felt cloth
  • Chart Paper
  • Marker Pen
  • Scissors
  • Eyes, Nose
  • Needle and Thread
  • Fevi Bond or glue
    Method
  • For making the body patterns on material, turn over the pattern.
  • Turnings of  (0-5 cm) are included in the patterns and no extra should be added on.
  • All sewing should be done on the wrong side of the fabric.
  • The only sewing done on the right side is when the opening for the stuffing is sewn up with a ladder stitch, and when ears and tail are attached.
  • To give the toy a professional finish, a domestic sewing machine is by far the best method of sewing the seams.
  • Machine stitches are firm and do not give under pressure of stuffing. In the case where a machine is not available, good results can be obtained by using a firm backstitch.
     
    Example : The designs of the body, ears and the base needed to make a rabbit is given below. You must draw bigger versions of the designs as required.

Batik Work Mathod

Requirments:- 
  • Cloth – cotton, muslin, cotton denim, silk, satin.
  • Wax – 60% beeswax & 40% paraffin wax.
  • Paint brushes – sizes according to design.
  • Dye – to colour fabric use batik dye.
  • Uniodized Salt, White Vinegar, gloves, newspaper 
  •  
  • Method:-
  • Plan your design & colour combination before starting to work.
  • Select white coloured or any light coloured material, wash it thoroughly & iron it before use.
  • Transfer the design on cloth.
  • Melt the wax using double boiler, place water in bottom pan & wax on top. Do not over heat the wax.
  • Part of design where cloth colour is to be maintained, apply wax with brush. First test on scrap cloth, if wax spot is dark & fabric absorbs it, wax is ready for use or else reheat the wax.
  • To dye fabric, start with light colours first. Mix dye & water in plastic tub as indicated on package. Also add salt as a colour fixative or vinegar for silk.
  • Leave the cloth in dye for around 20 minutes & then rinse in clear, lukewarm water. Remove excess water using towel, hang up straight & smooth to dry. Be careful to avoid cracking if not desired.
  • For second colour, part of design where first colour is to be maintained, apply wax & then dye fabric with second colour.
  • For crackled effect rinse in very cold water & crush it in your hands before last colour bath.
  • To remove wax, keep the fabric between newspapers & iron it. Due to heat of iron wax will melt & absorbed by newspaper 

Saturday, July 30, 2011

Friday, July 8, 2011

Contact Detail

                        



                                                     
Hardik Rangani- +91-9979330373


 Dhaval Parasiya- +91-9558808643

Monday, July 4, 2011

kutchi painting


'People's art in India does not wait for a canvas or paints made in a factory. Rock faces and caves, a village wall, the floor, a threshold, a palm-leaf, a piece of wood, or even the palm of a hand is space enough. For colours, the infinite hues provided by Nature from flowers, leaves, stones and even cowdung or soot collected from inside a chimney adequately fill the artist's palette. The instinctive urge to honour Nature and avoid polluting it allows people with traditional wisdom to experiment with any natural resource they find around them. Even when they move to chemically produced pigments and consequently brighten their expressions, the images, stories, motifs and local identities remain true to their known cultural understanding.'

- That's the essence of traditional Indian paintings, beautifully summarized by Jaya Jaitly in the book 'Crafting Nature'.

Lifestyles, climate, customs, traditions, natural resources and several other regional and political factors gave birth to various types and styles of paintings in different part of India. Irrespective of the region of origin, most of them are inspired by themes based on religion, nature, customs, epics and folklore.

Needle Craft


Needle Craft


  Needle, that tiny strand of metal, seems quite trivial to most of us. But when you think that our basic clothing needs and the entire fashion industry rely on that tiny tool invented centuries ago, we realize that the simple needle can do wonders when held by skilled hands.

Man's skill in using the needle, designs and techniques evolved over the years with numerous regional variations. During the Middle Ages, needlework was considered one of the highest forms of art and embroideries were regarded above brush paintings! Fabrics of all types were made and worked with incredible diligence and detailing to create very fine, exquisite and highly embellished clothing.

With the invention of machines in the middle of the nineteenth century, things changed. Fabrics of different kinds could be made and not hand-woven. Printed designs and patterns replaced hand decorations. Skills that were common once slowly became a rarity.

  Indian embroidery is acclaimed world over for its variety, hues, finesse and details. There are several forms practised in different parts of the country - Kantha of West Bengal, Chikankari of Lucknow, Beadwork of Madhya Pradesh, Mirrorwork of Rajasthan, Kutch embroidery of Gujarat, Kasuti and Lambani of Karnataka, Phulkari of Punjab...the list goes on. For some communities, embroidery has a role in their rituals and traditions. In some parts of Gujarat and Rajasthan, styles, formats and colours of the embroidery are used to indicate the community and the marital status!